This recording is from the orchestral release. The jazz orchestra version follows the same form and style, with adjustments for instrumentation and orchestration.
Justin says: When you have a child with developmental challenges, you feel a pressure as a parent to take advantage of every second, because you’re told there’s a window in which growth, especially language development, can happen.
Approx. 6:30; this is the fourth variation of the orchestral version, but the first variation in this jazz orchestra version. From the orchestral notes:
Variation 4 is an agitated, mixed meter movement that begins with trumpet and short rhythmic interjections from the orchestra. The trumpet is very exposed for much of the opening, which gives the performer a chance to shape the melodies with much dynamic range. Interspersed between these broken rhythmic passages are more flowing string textures in a style similar to a hoedown. The trumpet improvisation in this movement is extensive, and somewhat free, with the soloist often playing opposite only the drums. Rhythmic accuracy is essential in order to maintain a high intensity level throughout the full length of the movement.
This arrangement for jazz orchestra features more engagement with the rhythm section: the drums enter at the top covering some of the orchestral timpani parts and accompanying the ensemble during the “hoedown” passages.
Instrumentation: [5, 4, 4, 4, plus soloist] This movement requires: soprano saxophone, alto 2 doubles flute, tenors 1 & 2 double B-flat clarinets, baritone saxophone doubles bass clarinet, trumpets 3 & 4 double flugelhorn.
